Moleskine!
A little over a week ago I discovered moleskine sketchbooks (there should probably be a registered trademark symbol around there somewhere). Apparently, they are the greatest thing since slice bread for writers, artists and also, it seems, mathematicians. As the story goes, Picasso used them, Hemingway used them, and Van Gough used them. Go to this page to see what they look like.
I have to admit, I was intrigued. Turns out that these books stay flat when opened, there's no protuding seam in the middle when you're trying to draw a nice double-page spread, there's an elastic band-type thing which keeps the book closed. And, if you're a pack rat, there's even a little pocket at the back so you can store the items you collect (which just happen to be the perfect size to fit in there, too). This is going to sound very Apple of me but I really liked the rounded corners!
I was sold when I saw the pocket-sized books. It's great to walk around with a sketchbook for those moments when you have a brainstorm and you really, really, really have to write/draw it down. It just so happens that a store near my work sells them-- oh they didn't know what hit them. They're great little books! They had the sketchbooks-- which I bought that day and couldn't wait to leave work to start drawing in it. I wanted to get the square ruled notebooks but they were the type where you flip the pages over the top (check the site to see what I mean). I love square-ruled paper, though! The other notebooks were there-- the ones for writers with ruled lines and the Japanese Album which gave me a drawing idea (I'll write about that once I finish it). The Japanese Album has 60 sheets but they fold out. Imagine what a nice long landscape drawing would look like in one of those! The only notebook they didn't have was the watercolour ones. The moleskine books are not good for watercolours or ink (I learned that the hard way despite reading that one many moleskine fan sites).
Here's my first drawing. I experimented with some sketching markers (Crayola. Hey, there were the only ones I had around and I was really excited to start drawing!). The background is marker and the black is charcoal. Then I sprayed it with the fixative spray. For a long time, I was in a drawing slump. I didn't feel like drawing in my regular sketchbook. I guess having something new spiced things up.
This one was done with water colour piant. Sans the water. It's a painting of my mother's town in Italy. The sun is actually a drawing of the town's patron saint's halo. The one you see on the statue of him. So I drew his halo to represent him watching over the town.
Then I went completely bonkers over trying ink. With a brush. So here's a cityscape at night from above. I remember the evening when I drew this (well it was a little over a week ago)-- it was warm, not too breezy and the stupid mosquitos were already out.
A painting (ink again) gone horribly, horribly wrong. You see, I didn't want to mix colours yet (so that's my punishment). Therefore, I cleverly call this Beauty on the inside.
And finally, a really red Sodium Bicarbonates (sans the rest of the group) done in marker. This was supposed to look like I coloured outside the lines (I love that phrase!) but I'll need to practice that a little more. It's funny how difficult it is to draw incorrectly. Bill Watterson (of Calvin & Hobbes fame talked about that in one of his books as he described that comic where Calvin sees the world out of perspective (as in drawing).
I'm still working on the drawing I showed in my 12 of 12 post a few days ago.














